Date: September 11, 2017 – October 22, 2017 Venue: Locations across Cape Breton Island – Locations TBA Project Information: For youth ages 12 to 18 – Join us at one of our in-community locations for 5 weeks of creative arts, multimedia, songwriting and performance workshops where youth will be working with artists, elders and facilitators…
Project Information Songwriting Workshops: For Youth ages 12 to 18, there are three in-community workshops where youth will be working with singers and artist facilitators to co-create a music piece about immigration and encounter. There will also be mentors (Stewart MacNeil, Bryan Cherwick, and Robert Deveaux) at each of the locations giving information and telling stories of…
SINGING THE CIRCLE: MUSIC EDUCATION FROM BIRTH TO ADULT (AN EDUCATOR PROFESSIONAL DEVELOPMENT EVENT) 8:30 a.m. to 3 pm, Friday, October 20th, 2017 Cape Breton University The symbol of a circle is deeply symbolic on many levels and sacred to healing practices of our Indigenous peoples. Singing the Circle workshops are designed to explore and…
ATTENTION – Exhibit opening and film screening has been rescheduled! The photo exhibit will be on display all day at the McConnell Library, Friday, March 31st, 10-9pm; the film will be screened at 3:30 pm, Friday, March 31st. Dr. Pettan will be in the library to discuss the film and photos until 6 pm.
Here is a message from one of our friends at the University of Alberta, Dr. Mary Ingraham, the Director of the Sound Studies Initiative about upcoming events at the end of this month at their university: The Sound Studies Initiative at the University of Alberta is pleased to invite you to two events next week.…
CBU posted news about soundcommunties.org Digital Intern Program on February 28, 2017. See here for the full article! Funding for a pilot program from the Provincial Department of Communities, Culture & Heritage has allowed Dr. Marcia Ostashewski of CBU’s Centre for Sound Communities to recently hire ten Digital Interns, including two Coordinators, through the recently…
In 2010, Professor Cherif Keita, two of his colleagues and his students of Carleton College(Minnesota) visited the Southern Malian town of Sikasso, where they called on his old friend Nèba Solo, the master of the Senoufo balafon. This is a piece is about friendship, music and the culture of Mali.
Please join us in attending the Global Musics Local Connections Dance Workshops. Centre for Sound Communities, CBU & McConnell Library, 50 Falmouth Street, Sydney, Nova Scotia. (Beginning March 16, continuing on March 22 and 23.)
Dear Colleagues, Friends, Please note that world-renowned Malian musician Lassana Diabate will be returning to Sydney next week for a series of presentations. I have included his itinerary below. It includes some intercultural music-making and performances, lecture-demonstrations, a film screening, and workshops including one for music educators. Please share the news of Lassana’s visit and these…
THE CENTRE FOR SOUND COMMUNITIES is a world-class digital arts and humanities research lab at Cape Breton University. It fosters interdisciplinary collaboration and community engagement on sound, movement, and performance toward the exchange of knowledge and the production of creative, critical research. The Centre for Sound Communities was jointly funded by Canada Foundation for Innovation (CFI) and the Nova Scotia Research and Innovation Trust (NSRIT) in support of the Canada Research Chair in Communities and Cultures, Dr. Marcia Ostashewski.
The Centre for Sound Communities produces both tangible and intangible research outcomes. These include sound and movement performance pieces, and other creative works; digitized and born-digital artifacts such as audio/visual materials such as CDs, DVDs, and documentary films; as well as publications for both academic and public audiences. The research of Dr. Ostashewski and her research collaborators seeks to expand possibilities for research, both in terms of modalities and methodologies.
The Centre for Sound Communities hosts speakers, workshops, rehearsals, performances, recording and production sessions. The on-campus lab location, which includes specially-designed performance floors and equipment as well as work stations and meeting rooms, serve as a collaborative work space for researchers, artist-practitioners, project groups and committees. The state-of-the art technologies of the facility are also portable, allowing work to be carried out in-community, locally and globally.
Upcoming Events & Workshops
Sound Communities Project Updates
A preliminary launch and workshop for diversitycapebreton.ca will be held during the two-day workshop, “Curating Ethnomusicology,” June 15-16th.Read More
I’m proud to be a part of the Exhibiting Sound team, and looking forward to opening of a week of exciting events at Cape Breton University. This Monday at 9 a.m we begin the Curating Ethnomusicology pre-conference workshop! The first public Exhibiting Sound event is Curating Ethnomusicology, a pre-conference workshop in digital humanities being held at CBU from June 15-16. This event brings together…Read More
iCreate Cape Breton
ATTENTION – Exhibit opening and film screening has been rescheduled! The photo exhibit will be on display all day at the McConnell Library, Friday, March 31st, 10-9pm; the film will be screened at 3:30 pm, Friday, March 31st. Dr. Pettan will be in the library to discuss the film and photos until 6 pm.Read More
This interview and recital was shot in September 2015 at Carleton College, Northfield, Minnesota, where Kassé Mady Diabaté performed with his group composed of his cousin, Lansiné Kouyaté(balafon), Badjè Tounkara(nkoni) and Balaké Sissoko(Kora), all jaliw or Mande oral artists. This exchange illustrates the process by which they change the repertoire they inherit from their forebears and…Read More